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home·artworks·Kitchen at the Old King Street Bakery
Kitchen at the Old King Street Bakery by Frederick McCubbin

plate no. 4602

Kitchen at the Old King Street Bakery

Frederick McCubbin, 1884

oilAcademicisminteriorinteriorkitchenfireplacetablechairobjects
some experience helpful

Recreating this painting will help students develop skills in rendering light and shadow within an interior space and accurately depicting the textures of various objects. It also provides practice in creating depth and perspective in a complex composition.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and perspective lines of the room, including the fireplace, table, and chair.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes.

  3. step 03

    Begin refining the shapes of the objects on the table and mantelpiece, paying attention to their proportions and relationships to each other.

  4. step 04

    Develop the details of the fireplace, including the brickwork and the shadows within the firebox.

  5. step 05

    Add details to the chair and other objects in the foreground, focusing on their textures and surface qualities.

  6. step 06

    Refine the lighting and shadows throughout the painting, adding highlights and deepening shadows to create depth.

  7. step 07

    Add final details, such as the reflections on the metal objects and the patterns on the rug.

  8. step 08

    Review the painting and make any necessary adjustments to the composition, color, or value.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · ultramarine blue · yellow ochre

Achieve the muted tones by mixing the primary colors with white and small amounts of blue. Use burnt sienna and raw umber for the warm browns and grays.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Getting bogged down in details before establishing the overall composition.
  • →Overworking the painting and losing the freshness of the initial washes.
  • →Incorrect perspective, especially with the receding walls and furniture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·linseed oil
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grain canvas to allow for texture. Consider using a toned canvas to establish a base color.

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