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home·artworks·Kew Gardens: The Pagoda and Bridge
Kew Gardens: The Pagoda and Bridge by Richard Wilson

plate no. 3446

Kew Gardens: The Pagoda and Bridge

Richard Wilson, 1762

oilRococolandscapelandscapewatertreespagodafiguressky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating subtle color gradations to depict light and shadow. It also provides practice in rendering reflections in water and depicting distant objects.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the pagoda, river, trees, and figures.

  2. step 02

    Establish the sky with a light blue and yellow wash, blending the colors smoothly.

  3. step 03

    Block in the distant landscape with muted greens and browns, focusing on atmospheric perspective.

  4. step 04

    Paint the river, capturing the reflections of the sky and surrounding landscape.

  5. step 05

    Add the trees and foliage, varying the greens and browns to create depth and texture.

  6. step 06

    Paint the pagoda with careful attention to its structure and details.

  7. step 07

    Add the figures in the boat and on the riverbank, paying attention to their proportions and poses.

  8. step 08

    Refine the details and add highlights to create a sense of light and atmosphere.

color palette

primary · yellow ochre · ultramarine blue · burnt umber

secondary · titanium white · sap green · cadmium yellow

Achieve the muted greens by mixing yellow ochre, ultramarine blue, and a touch of burnt umber. Create the sky by blending ultramarine blue and titanium white, adding yellow ochre near the horizon for a warm glow.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·wet-on-dry blending
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too saturated, which can flatten the image.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate proportions of the figures and pagoda.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints (yellow ochre, ultramarine blue, burnt umber, titanium white, sap green, cadmium yellow)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a pre-toned canvas with a warm underpainting to create a more luminous effect.

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oil painting for beginners →how to learn by studying the masters →
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