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home·artworks·Kate Field
Kate Field by Francis Davis Millet

plate no. 6559

Kate Field

Francis Davis Millet, 1881

oilAcademicismportraitportraitfiguredresscouchfabricwoman
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to depict fabric and textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure's pose and the main shapes of the composition.

  2. step 02

    Block in the background with a thin layer of yellow ochre, paying attention to subtle variations in tone.

  3. step 03

    Establish the basic values of the dress using a mix of black and burnt umber, gradually building up darker areas.

  4. step 04

    Begin working on the skin tones, using a limited palette of white, yellow ochre, and a touch of red.

  5. step 05

    Carefully model the face, paying attention to the highlights and shadows to create a sense of depth.

  6. step 06

    Add the details of the dress, including the lace and the red sash.

  7. step 07

    Refine the background and the couch, adding subtle details and textures.

  8. step 08

    Add final highlights and shadows to enhance the overall realism of the painting.

color palette

primary · yellow ochre · black · burnt umber · titanium white

secondary · cadmium red · ivory black

Achieve skin tones by mixing white, yellow ochre, and a small amount of red. Darken the black with burnt umber for a richer tone. Create subtle variations in the background by adding small amounts of burnt umber or red to the yellow ochre.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·value studies
  • ·rendering fabric

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a strong value structure.
  • →Getting lost in details too early in the process.
  • →Ignoring the subtle variations in color and tone.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints: yellow ochre, black, burnt umber, titanium white, cadmium red
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·mahl stick

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending and layering.

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