apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Kapunda Mines
Kapunda Mines by Jeffrey Smart

plate no. 2491

Kapunda Mines

Jeffrey Smart, 1946

oilPrecisionismcityscapebuildingsfigureshillsskyindustrialwater
some experience helpful

Recreating this painting will help students develop skills in blocking in shapes and understanding color temperature to create depth. It also provides practice in rendering figures in a stylized manner.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, hills, and figures, paying attention to their relative sizes and positions.

  2. step 02

    Block in the large areas of color, starting with the sky and the largest land masses.

  3. step 03

    Develop the color variations within each area, using lighter and darker tones to suggest form and depth.

  4. step 04

    Add details to the buildings, such as windows and doors, using a fine brush.

  5. step 05

    Refine the figures, paying attention to their proportions and poses.

  6. step 06

    Add the water and reflections, using horizontal brushstrokes.

  7. step 07

    Add final details and highlights to create a sense of realism and depth.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · titanium white · cadmium red light · viridian

Mix various shades of ochre and sienna for the hills. Use ultramarine blue and white for the sky and water, adding touches of viridian for the green areas. Mix red and sienna for the buildings.

techniques

  • ·blocking in
  • ·color mixing
  • ·layering
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Getting the proportions of the buildings and figures wrong.
  • →Using colors that are too saturated or unrealistic.
  • →Failing to create a sense of depth and atmosphere.
  • →Overworking the details and losing the overall impression.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (for cleaning brushes)

optional

  • ·medium gloss
  • ·retarder medium
  • ·easel

Use a medium-textured canvas to allow for good paint adhesion. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Perryville Station

Perryville Station

Martyl Langsdorf

Tree of My Life

Tree of My Life

Joseph Stella

New England Irrelevancies

New England Irrelevancies

Charles Sheeler

T.S. Eugenides, Piraeus

T.S. Eugenides, Piraeus

Jeffrey Smart

End of the Autostrada

End of the Autostrada

Jeffrey Smart

From Brooklyn Heights

From Brooklyn Heights

George Ault

Blue Morning Glory

Blue Morning Glory

Georgia O'Keeffe

Ghost Ranch Painting

Ghost Ranch Painting

Georgia O'Keeffe