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home·artworks·Jura de Fernando VII como príncipe de Asturias
Jura de Fernando VII como príncipe de Asturias by Luis Paret y Alcazar

plate no. 6723

Jura de Fernando VII como príncipe de Asturias

Luis Paret y Alcazar, 1791

oilRococogenre paintinginteriorarchitecturefiguresceremonyaltarchurch
advanced study

Recreating this painting will help students develop skills in perspective, rendering complex architectural details, and painting figures in a crowd.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch, focusing on the perspective and overall composition.

  2. step 02

    Block in the main architectural elements: the arches, columns, and altar.

  3. step 03

    Establish the light and shadow patterns, paying attention to the light source.

  4. step 04

    Begin adding details to the architecture, such as the moldings and decorations.

  5. step 05

    Start painting the figures, working from the background to the foreground.

  6. step 06

    Refine the details of the figures, including their clothing and faces.

  7. step 07

    Add the final details, such as the patterns on the carpet and the textures of the walls.

  8. step 08

    Glaze to unify the painting and adjust the colors and values.

color palette

primary · ultramarine blue · raw umber · titanium white · yellow ochre

secondary · cadmium red light · viridian

Mix various shades of gray and blue for the architecture. Use yellow ochre and raw umber for the gold details. Mix white with small amounts of red and blue to create the pale pinks and purples.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·figure painting
  • ·glazing
  • ·rendering of textures

common pitfalls

  • →Getting the perspective wrong, leading to a distorted image.
  • →Overworking the details, resulting in a stiff and lifeless painting.
  • →Failing to establish a clear light source, making the painting look flat.
  • →Not capturing the likeness of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve their flow.

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