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home·artworks·July (On the beach)
July (On the beach) by Ettore Tito

plate no. 4685

July (On the beach)

Ettore Tito

oilAcademicismgenre paintingbeachfigureschildrenwatershoremother
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape and capturing the subtle color variations of light reflecting on water. It also provides practice in creating a sense of depth and atmosphere through color and value.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Establish the horizon line and the general areas of the sky, water, and figures.

  3. step 03

    Block in the main colors of the sky and water, using thin washes.

  4. step 04

    Begin to define the figures, starting with the larger shapes and gradually adding details.

  5. step 05

    Pay close attention to the light and shadow on the figures and clothing.

  6. step 06

    Add the details of the faces and hands, using small brushes.

  7. step 07

    Refine the reflections in the water, using broken brushstrokes.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · yellow ochre · raw umber · ultramarine blue

secondary · cadmium yellow · burnt sienna · alizarin crimson

Achieve the subtle color variations by mixing white with small amounts of the other colors. Use yellow ochre and raw umber for the sand and skin tones. Mix ultramarine blue and white for the sky and water, adding touches of yellow ochre or burnt sienna to create variations.

techniques

  • ·wet-on-wet blending
  • ·broken brushstrokes
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too saturated.
  • →Failing to capture the subtle color variations of the light.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·retouch varnish

Use high-quality oil paints for best results. Prepare the canvas with gesso before starting to paint.

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