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home·artworks·Jug with yellow daffodils
Jug with yellow daffodils by Felix Vallotton

plate no. 8366

Jug with yellow daffodils

Felix Vallotton, 1915

oil, canvasMagic Realismstill lifeflowersdaffodilsjugstill lifetablefruit
suitable for beginners

Recreating this painting will help students develop skills in color mixing to achieve subtle variations and in rendering transparent objects like the glass jug. It also provides practice in creating a balanced composition with a clear focal point.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, paying attention to the placement of the jug, flowers, and other objects.

  2. step 02

    Block in the background colors, starting with the darkest areas and gradually adding lighter tones.

  3. step 03

    Establish the base colors for the table and books, focusing on accurate color matching.

  4. step 04

    Paint the jug, carefully observing the highlights and shadows to create a sense of transparency.

  5. step 05

    Add the daffodils, using short, broken brushstrokes to capture their texture and form.

  6. step 06

    Paint the orange, paying attention to the subtle variations in color and value.

  7. step 07

    Refine the details of the cup and other objects, adding highlights and shadows as needed.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and harmonious painting.

color palette

primary · yellow ochre · cadmium yellow · burnt umber

secondary · viridian · cadmium red · titanium white

Mix greens by combining yellow ochre and viridian. Achieve the glass effect by layering transparent glazes of green and brown. Use white to lighten colors and create highlights.

techniques

  • ·color mixing
  • ·glazing
  • ·broken brushstrokes
  • ·rendering transparency
  • ·value studies

common pitfalls

  • →Incorrect proportions in the initial sketch
  • →Overmixing colors, resulting in muddy tones
  • →Failing to capture the transparency of the glass jug
  • →Ignoring subtle variations in color and value
  • →Overworking the painting, losing freshness and spontaneity

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (yellow ochre, cadmium yellow, burnt umber, viridian, cadmium red, titanium white)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a painting medium to improve the flow and blending of the oil paints.

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oil painting for beginners →how to learn by studying the masters →
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