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Judith by Jean Lecomte du Nouÿ

plate no. 6518

Judith

Jean Lecomte du Nouÿ

canvas, oilAcademicismreligious paintingfigureportraitheadscarfjewelryprofilereligious
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle value gradations for realistic skin tones. It also offers practice in rendering textures and details, such as the fabric folds and jewelry.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic outline of the figure, focusing on accurate proportions and the placement of key features.

  2. step 02

    Establish the background color with a thin wash of dark brown.

  3. step 03

    Block in the main areas of color: skin tones, headscarf, clothing, and jewelry.

  4. step 04

    Begin layering and blending the skin tones, paying close attention to highlights and shadows to create form.

  5. step 05

    Develop the details of the headscarf, including the patterns and textures.

  6. step 06

    Add the jewelry, focusing on capturing the metallic sheen and intricate details.

  7. step 07

    Refine the overall composition, adjusting values and adding final details.

  8. step 08

    Add the final details in the face and jewelry

color palette

primary · titanium white · burnt umber · cadmium red · yellow ochre

secondary · ultramarine blue · ivory black · gold

Mix skin tones by blending titanium white, yellow ochre, and a touch of cadmium red. Use burnt umber and ivory black to create shadows and darker tones. Achieve the gold effect by layering yellow ochre and a touch of burnt umber.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overblending the skin tones, resulting in a flat appearance.
  • →Failing to capture the subtle value gradations in the face.
  • →Getting lost in the details of the jewelry before establishing the overall form.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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