
plate no. 0560
John Martin, 1840
Recreating this painting will help students develop skills in atmospheric perspective, dramatic lighting, and creating a sense of scale. It also provides practice in depicting complex cloud formations and distant details.
technical profile
approach — 8 steps
Prepare the canvas with a toned ground (e.g., burnt umber wash).
Lightly sketch the main compositional elements: mountains, city, and cloud formations.
Establish the darkest areas of the painting, focusing on the foreground and storm clouds.
Block in the lighter areas, particularly the sky and the city illuminated by the sun.
Begin blending and softening the edges of the clouds to create atmospheric effects.
Add details to the city and the figures in the foreground, gradually refining the forms.
Introduce subtle color variations to the mountains and landscape to enhance depth.
Apply final highlights and shadows to create a sense of drama and realism.
color palette
primary · ivory black · titanium white · burnt umber · yellow ochre
secondary · ultramarine blue · cadmium red light · raw sienna
Achieve the stormy sky by mixing black, white, and a touch of blue. Create the warm glow of the sunlit city by blending yellow ochre, white, and a hint of red. Use burnt umber and raw sienna for the earth tones.
techniques
common pitfalls
surface · stretched canvas
required
optional
A pre-toned canvas will help establish the dark undertones of the painting. Use high-quality oil paints for best results.
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