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home·artworks·Joseph Farington
Joseph Farington by Thomas Lawrence

plate no. 2877

Joseph Farington

Thomas Lawrence, 1796

oilRococoportraitportraitfiguremanclothingbackgroundface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in creating depth and atmosphere through subtle value changes and soft brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head and shoulders.

  2. step 02

    Establish the overall value structure by blocking in the dark background and the lighter areas of the face and clothing.

  3. step 03

    Begin refining the facial features, paying close attention to the placement and shape of the eyes, nose, and mouth.

  4. step 04

    Develop the skin tones by layering and blending different shades of pink, yellow, and brown.

  5. step 05

    Add details to the clothing, such as the collar and buttons, using small, precise brushstrokes.

  6. step 06

    Soften the edges and blend the transitions between different areas to create a sense of atmosphere.

  7. step 07

    Add highlights to the face and clothing to create a sense of depth and dimension.

  8. step 08

    Make final adjustments to the values and colors to achieve a cohesive and realistic portrait.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · yellow ochre · burnt sienna

Mix skin tones using white, red, yellow ochre, and a touch of brown. Achieve the dark background by mixing black and umber. Use burnt sienna and red for the drapery.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·chiaroscuro
  • ·scumbling

common pitfalls

  • →Incorrect proportions of the facial features
  • →Overly harsh or muddy skin tones
  • →Lack of depth and atmosphere
  • →Ignoring the subtle value changes
  • →Overworking the details

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Pre-toned canvas with a thin layer of burnt umber can help establish the dark background.

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