apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Joseph and his brothers
Joseph and his brothers by Jean-Victor Schnetz

plate no. 9600

Joseph and his brothers

Jean-Victor Schnetz

oil, canvasAcademicismreligious paintingfiguresmenreligious sceneclothingfaces
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle blending of skin tones, as well as understanding how to create depth through layering and atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the composition and placement of figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Begin layering in the mid-tones, focusing on the planes of the faces.

  4. step 04

    Develop the darker areas, paying attention to the shadows and contours.

  5. step 05

    Refine the highlights and details, such as the eyes and hair.

  6. step 06

    Add subtle color variations to create depth and realism.

  7. step 07

    Blend the transitions between tones to achieve a smooth finish.

  8. step 08

    Apply final glazes to unify the painting and enhance the colors.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium yellow · alizarin crimson · ultramarine blue

Mix skin tones by combining burnt umber, raw sienna, and titanium white, with small amounts of alizarin crimson and cadmium yellow for warmth. Use ultramarine blue to cool down the tones and create shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·layering
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of the faces
  • →Over-blending, resulting in a flat appearance
  • →Inaccurate color mixing, leading to unnatural skin tones
  • →Neglecting the subtle variations in value and color

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus