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home·artworks·John Yelloly (1774–1842), MD, FRS
John Yelloly (1774–1842), MD, FRS by John Jackson

plate no. 9528

John Yelloly (1774–1842), MD, FRS

John Jackson

oilRococoportraitportraitfiguremanclothinghistoricalface
some experience helpful

This painting provides an opportunity to practice portraiture, focusing on skin tones and subtle value changes to create form. Students can also learn to render fabric and capture a likeness.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Establish the background color with a thin wash of dark brown.

  3. step 03

    Block in the main areas of the face with basic skin tone mixtures, paying attention to highlights and shadows.

  4. step 04

    Begin refining the facial features, focusing on accurate placement and proportions of the eyes, nose, and mouth.

  5. step 05

    Develop the clothing, using darker values for the coat and lighter values for the ruffled collar.

  6. step 06

    Blend and soften edges to create smooth transitions between values.

  7. step 07

    Add subtle details such as highlights in the eyes and texture in the hair.

  8. step 08

    Refine the overall composition and make any necessary adjustments.

color palette

primary · titanium white · burnt umber · yellow ochre · cadmium red

secondary · ultramarine blue · ivory black

Mix skin tones by combining white, yellow ochre, cadmium red, and a touch of burnt umber. Use ultramarine blue to cool down skin tones in shadow areas. Achieve the dark background by mixing burnt umber and ivory black.

techniques

  • ·portraiture
  • ·blending
  • ·value studies
  • ·layering
  • ·color mixing

common pitfalls

  • →Inaccurate proportions of facial features.
  • →Overly harsh or muddy skin tones.
  • →Lack of contrast between light and shadow.
  • →Neglecting subtle details that contribute to realism.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Consider using a medium like linseed oil to improve blending and flow.

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