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John Wilkinson by Lemuel Francis Abbott

plate no. 9320

John Wilkinson

Lemuel Francis Abbott

oilRococoportraitportraitfiguremanclothinghistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportion and subtle color mixing for skin tones. It also provides practice in rendering clothing and creating a sense of depth through value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure, paying attention to proportions and placement on the canvas.

  2. step 02

    Block in the background with a thin layer of burnt umber and raw sienna.

  3. step 03

    Establish the basic skin tones using a mix of white, yellow ochre, and a touch of red.

  4. step 04

    Begin to build up the values in the face, adding shadows and highlights to define the form.

  5. step 05

    Paint the clothing, focusing on the folds and wrinkles to create a sense of volume.

  6. step 06

    Refine the details of the face, including the eyes, nose, and mouth.

  7. step 07

    Add highlights to the hair and clothing to create a sense of light and atmosphere.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic portrait.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red

secondary · ivory black · ultramarine blue

Skin tones are achieved by mixing white, yellow ochre, and a touch of red. Shadows are created by adding burnt umber and a touch of black. The clothing is primarily black and grey, with subtle variations in value.

techniques

  • ·portraiture
  • ·blending
  • ·value studies
  • ·layering
  • ·color mixing

common pitfalls

  • →Incorrect proportions
  • →muddy skin tones
  • →flat or lifeless rendering
  • →overworking details too early

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·round brushes
  • ·flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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