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home·artworks·John Singleton Copley
John Singleton Copley by Gilbert Stuart

plate no. 1717

John Singleton Copley

Gilbert Stuart, 1784

oilRococoportraitportraitfigureclothinghairhistoricalmale
some experience helpful

Recreating this portrait will help students develop skills in blending skin tones, capturing likeness, and rendering fabric textures. It also provides practice in creating subtle value gradations to model form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the oval composition and the figure's basic proportions.

  2. step 02

    Block in the background with broad strokes of muted purples and browns.

  3. step 03

    Establish the main shapes of the face, hair, and clothing with thin washes of color.

  4. step 04

    Begin building up the skin tones with layers of blended colors, paying attention to highlights and shadows.

  5. step 05

    Refine the details of the face, including the eyes, nose, and mouth.

  6. step 06

    Paint the clothing, focusing on the folds and textures of the fabric.

  7. step 07

    Add highlights to the hair and clothing to create a sense of light and dimension.

  8. step 08

    Make final adjustments to the values and colors to achieve a realistic and harmonious portrait.

color palette

primary · titanium white · burnt umber · cadmium red · yellow ochre

secondary · ultramarine blue · ivory black

Mix skin tones by blending white, yellow ochre, cadmium red, and a touch of burnt umber. Use ultramarine blue and burnt umber to create muted purples and browns for the background.

techniques

  • ·blending
  • ·glazing
  • ·scumbling
  • ·value studies
  • ·portraiture

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish accurate proportions in the initial sketch.
  • →Ignoring subtle value changes in the skin tones.
  • →Getting lost in details before establishing the overall form.
  • →Using too much paint, obscuring the underlayers.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·painting easel
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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