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home·artworks·John McArthur (1755–1840), Writer on Naval Topics
John McArthur (1755–1840), Writer on Naval Topics by George Romney

plate no. 7981

John McArthur (1755–1840), Writer on Naval Topics

George Romney, 1795

oilRococoportraitportraitfiguremanwritingtableclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding value and color relationships in a limited palette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and key elements.

  2. step 02

    Establish the background with a dark, blended wash of browns and reds.

  3. step 03

    Block in the main shapes of the figure, including the face, hair, and clothing, using simplified values.

  4. step 04

    Refine the facial features, paying close attention to light and shadow to create form.

  5. step 05

    Develop the details of the hair, using small brushstrokes to suggest texture and volume.

  6. step 06

    Add details to the clothing, including folds and buttons, and refine the shape of the collar.

  7. step 07

    Paint the hand and quill, focusing on accurate proportions and subtle shading.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · ivory black · burnt umber · titanium white · cadmium red light

secondary · yellow ochre · ultramarine blue

Skin tones are achieved by mixing white, red, and a touch of umber or yellow ochre. Darker tones are created by adding black or blue to the mix. The background is a blend of umber and red.

techniques

  • ·portrait painting
  • ·value study
  • ·blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Incorrect proportions of the face and body.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use a high-quality canvas primed with oil-based primer for best results.

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