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home·artworks·John Latham (1761–1831)
John Latham (1761–1831) by John Jackson

plate no. 9458

John Latham (1761–1831)

John Jackson

oilRococoportraitportraitfigurerobetablebuildingdrapery
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as understanding how to render fabric and textures with subtle value changes. It also provides practice in creating a sense of depth and atmosphere through layering and glazing techniques.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figure and objects.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background, focusing on the atmospheric perspective and subtle color variations in the sky.

  4. step 04

    Refine the figure's features, paying close attention to the light and shadow on the face.

  5. step 05

    Add details to the robe and other objects, using layering and glazing techniques to create depth and texture.

  6. step 06

    Work on the drapery, capturing the folds and highlights.

  7. step 07

    Adjust the overall values and colors to create a harmonious and balanced composition.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · burnt umber · cadmium red · yellow ochre

secondary · ultramarine blue · raw sienna

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Create the gold tones by layering yellow ochre and burnt sienna, and glazing with a transparent gold color if available. Use ultramarine blue and burnt umber to create the blacks and grays for the robe.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering fabric

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too saturated or unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·raw sienna oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·retouch varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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