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home·artworks·John Faber
John Faber by Jean-Baptiste van Loo

plate no. 9379

John Faber

Jean-Baptiste van Loo

oilRococoportraitportraitfiguremanbookchairclothing
some experience helpful

Recreating this painting will help students develop skills in rendering realistic textures and values, as well as understanding how light and shadow define form. It also provides practice in capturing the likeness of a subject in a portrait.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes and proportions of the figure, chair, and background.

  2. step 02

    Establish the darkest and lightest values to define the overall tonal range.

  3. step 03

    Begin blocking in the mid-tones, focusing on the large areas of the background and clothing.

  4. step 04

    Gradually build up the details of the face, hair, and hands, paying close attention to the subtle value changes.

  5. step 05

    Refine the textures of the clothing, book, and chair using careful brushstrokes.

  6. step 06

    Add highlights to create a sense of depth and dimension.

  7. step 07

    Pay attention to the details of the face, especially the eyes, to capture the expression.

  8. step 08

    Make final adjustments to the values and details to achieve a cohesive and realistic rendering.

color palette

primary · ivory black · titanium white · raw umber

secondary · payne's gray · yellow ochre

Mix various shades of gray by combining ivory black and titanium white in different ratios. Add small amounts of raw umber or yellow ochre to warm up the grays and create subtle variations in tone.

techniques

  • ·value studies
  • ·blending
  • ·hatching
  • ·scumbling
  • ·glazing

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details before establishing the overall form.
  • →Ignoring the subtle value changes that create a sense of realism.
  • →Getting lost in the details and losing sight of the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. A smooth canvas surface will allow for easier blending.

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oil painting for beginners →how to learn by studying the masters →
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