
plate no. 4967
Jean-Baptiste Greuze, 1780
Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and soft fabric folds. It also provides practice in creating subtle value gradations to achieve a sense of depth and form.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure, paying attention to the tilt of the head and the placement of the hands.
Establish the background with a thin wash of muted colors.
Block in the main areas of color for the skin, hair, and clothing.
Begin building up the skin tones with layers of thin paint, focusing on the subtle variations in color and value.
Define the features of the face, paying close attention to the eyes, nose, and mouth.
Work on the hair, creating soft, flowing lines and adding highlights and shadows.
Develop the folds and textures of the clothing, using a combination of blending and dry brushing.
Add final details, such as the jewelry and the bow in the hair, and refine the overall composition.
color palette
primary · titanium white · raw umber · cadmium red light · ivory black
secondary · ultramarine blue · yellow ochre · alizarin crimson
Achieve skin tones by mixing white, red, yellow ochre, and a touch of raw umber. Use ultramarine blue and black to create the dark tones in the clothing and background. Mix alizarin crimson and white for the blush on the cheeks.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base for the painting.
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