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home·artworks·Jesus Chasing the Merchants from the Temple
Jesus Chasing the Merchants from the Temple by Quentin Matsys

plate no. 2025

Jesus Chasing the Merchants from the Temple

Quentin Matsys

oilNorthern Renaissancereligious paintingfigurestemplearchitecturereligious sceneviolenceinterior
experienced study

Recreating this painting will help students develop skills in figure drawing, rendering fabric folds, and understanding complex compositions with multiple figures. It also provides practice in creating subtle color variations and achieving a sense of depth through atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures and architectural elements, paying attention to proportions and perspective.

  2. step 02

    Establish the background by painting the architectural details with light, muted colors.

  3. step 03

    Block in the main figures with simplified shapes and basic color tones.

  4. step 04

    Begin adding details to the figures, focusing on facial features, clothing folds, and hands.

  5. step 05

    Develop the light and shadow patterns on the figures to create a sense of volume and depth.

  6. step 06

    Refine the colors and values, paying attention to the subtle variations in skin tones and fabric textures.

  7. step 07

    Add the final details, such as the whip, coins, and other small objects.

  8. step 08

    Glaze the entire painting with thin layers of color to unify the composition and create a sense of atmosphere.

color palette

primary · yellow ochre · raw umber · titanium white · cadmium red

secondary · ultramarine blue · burnt sienna · ivory black

Achieve the muted tones by mixing earth pigments with white and small amounts of blue or red. Create skin tones by blending yellow ochre, red, and white, with touches of umber for shadows.

techniques

  • ·figure drawing
  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·rendering fabric

common pitfalls

  • →getting figure proportions wrong
  • →overworking details too early
  • →using colors that are too bright or saturated
  • →flattening the figures by not paying attention to light and shadow

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer to dry completely before applying the next.

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