
plate no. 8806
Joan Brull, 1900
Students would develop skills in portraiture, understanding facial anatomy and expression, while mastering the challenge of painting rich black fabrics with subtle color variations and realistic skin tones.
technical profile
approach — 8 steps
Sketch the basic figure proportions and pose, establishing the head-to-body ratio
Map out the major value structure, identifying the lightest lights (face, hands) and darkest darks (dress)
Block in the background using warm neutral tones, keeping it simple and unified
Paint the face using careful flesh tone mixtures, paying attention to subtle modeling
Develop the black dress using various dark mixtures, never pure black, adding subtle blue and purple reflections
Add the textural details of the lace and fabric patterns using precise brushwork
Refine the hands and any jewelry or accessories with careful attention to proportions
Final touches on facial features, hair texture, and overall value adjustments
color palette
primary · ivory black · titanium white · burnt umber · raw umber
secondary · ultramarine blue · alizarin crimson · yellow ochre · cadmium red light
Create rich blacks by mixing ultramarine blue with burnt umber rather than using pure black; mix flesh tones with white, yellow ochre, and tiny amounts of red and umber
techniques
common pitfalls
surface · primed canvas or canvas board
required
optional
Use a warm-toned ground or underpainting to help unify the overall color scheme
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