apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Jeanne-Antoinette Poisson, Marquise de Pompadour as Diana
Jeanne-Antoinette Poisson, Marquise de Pompadour as Diana by Jean-Marc Nattier

plate no. 7187

Jeanne-Antoinette Poisson, Marquise de Pompadour as Diana

Jean-Marc Nattier, 1746

oilRococoportraitportraitfiguredressbowlandscapefur
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and skin tone mixing, as well as practice in rendering fabric and fur textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure's pose and proportions.

  2. step 02

    Block in the background with diluted washes of color, focusing on the overall tonal values.

  3. step 03

    Begin layering the skin tones, starting with mid-tones and gradually adding highlights and shadows.

  4. step 04

    Paint the dress, paying attention to the folds and highlights to create a sense of volume.

  5. step 05

    Render the fur, using short, broken brushstrokes to simulate the texture.

  6. step 06

    Add details to the bow and other accessories.

  7. step 07

    Refine the facial features, focusing on capturing the likeness of the subject.

  8. step 08

    Add final highlights and shadows to enhance the overall depth and realism.

color palette

primary · titanium white · yellow ochre · cadmium red · ultramarine blue

secondary · burnt umber · ivory black · sap green

Mix skin tones using white, yellow ochre, and cadmium red, with small amounts of blue or umber for shadows. Achieve the blue fabric color by mixing ultramarine blue with white and a touch of black for darker areas.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·scumbling
  • ·rendering fur texture

common pitfalls

  • →Incorrect proportions of the figure.
  • →Muddy skin tones due to over-mixing.
  • →Flat, lifeless fabric due to lack of highlights and shadows.
  • →Overworked details that detract from the overall impression.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#4 filbert brush
  • ·#6 flat brush
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial blocking-in stage.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West