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home·artworks·Jean Monnet
Jean Monnet by Maurice Quentin de La Tour

plate no. 4713

Jean Monnet

Maurice Quentin de La Tour

oilRococoportraitportraitfiguremanclothinghairrococo
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including accurate proportions, subtle color blending for skin tones, and rendering of fabric and hair. It also provides practice in capturing a likeness and conveying a sense of character.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Establish the main light and shadow areas on the face and clothing with thin washes of color.

  3. step 03

    Begin building up the skin tones with layers of subtle color variations, paying close attention to the transitions between light and shadow.

  4. step 04

    Refine the features of the face, focusing on the eyes, nose, and mouth.

  5. step 05

    Paint the hair, using short, broken strokes to create texture and volume.

  6. step 06

    Add details to the clothing, such as the lace collar and the folds of the jacket.

  7. step 07

    Adjust the background color and blend it smoothly.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · yellow ochre · burnt sienna · ivory black

secondary · ultramarine blue · cadmium red light · raw umber

Skin tones are achieved by mixing white, yellow ochre, burnt sienna, and small amounts of red and blue. The hair is a mix of white, black, and blue. The background is a muted blue-gray, achieved by mixing blue, black, and white.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·color mixing
  • ·rendering of fabric

common pitfalls

  • →Getting the proportions wrong, resulting in an inaccurate likeness.
  • →Overworking the skin tones, resulting in a muddy or unnatural appearance.
  • →Failing to capture the subtle variations in color and value.
  • →Ignoring the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (titanium white, yellow ochre, burnt sienna, ivory black, ultramarine blue, cadmium red light, raw umber)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags or paper towels

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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