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home·artworks·Jean Claude Richard, Abbot of Saint-Non (Fanciful Figure)
Jean Claude Richard,  Abbot of Saint-Non (Fanciful Figure) by Jean-Honore Fragonard

plate no. 1661

Jean Claude Richard, Abbot of Saint-Non (Fanciful Figure)

Jean-Honore Fragonard, 1769

oil, canvasRococoportraitportraitfigureclothingruffhairtable
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering fabric folds. It also provides practice in using a limited palette to create a range of values and textures.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the background with a thin wash of dark brown.

  3. step 03

    Block in the main areas of color: skin tones, clothing, and hair.

  4. step 04

    Begin layering and blending colors to create depth and form in the face.

  5. step 05

    Develop the details of the clothing, paying attention to highlights and shadows.

  6. step 06

    Add details to the hair, using short, broken brushstrokes.

  7. step 07

    Refine the background and edges to create a sense of atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · titanium white · ultramarine blue · cadmium orange

secondary · yellow ochre · ivory black

Mix skin tones by blending white, orange, and a touch of brown. Create the blue-green of the coat by mixing ultramarine blue with burnt umber and a touch of white. Use yellow ochre and white to create the highlights on the ruff.

techniques

  • ·alla prima
  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Getting the proportions of the face wrong.
  • →Making the colors too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (burnt umber, titanium white, ultramarine blue, cadmium orange, yellow ochre, ivory black)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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