apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Jean Baptiste Drouet D'Erlon
Jean Baptiste Drouet D'Erlon by Charles-Philippe Lariviere

plate no. 4930

Jean Baptiste Drouet D'Erlon

Charles-Philippe Lariviere, 1843

oilAcademicismportraitportraitfiguremilitarylandscapebooksclothing
experienced study

This painting offers practice in rendering realistic skin tones and textures, as well as detailed clothing and military regalia. Students will develop skills in portraiture and capturing likeness.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure.

  2. step 02

    Block in the background with broad strokes, establishing the horizon line and general color scheme.

  3. step 03

    Roughly define the figure's form and clothing with basic shapes and values.

  4. step 04

    Begin refining the face, paying close attention to light and shadow to create form.

  5. step 05

    Develop the details of the uniform, including the gold embroidery, medals, and sash.

  6. step 06

    Add details to the background, such as the books and landscape elements.

  7. step 07

    Refine the overall painting, adjusting values and adding highlights to create depth and dimension.

  8. step 08

    Add final details and glazes to enhance the realism and richness of the painting.

color palette

primary · ivory black · titanium white · cadmium red light · yellow ochre

secondary · ultramarine blue · burnt umber · raw sienna · gold

Mix various shades of gray and brown for the background. Use yellow ochre, cadmium red, and white to create realistic skin tones. Mix black and ultramarine for the uniform.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·rendering of textures
  • ·blending

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a convincing sense of depth and dimension.
  • →Inaccurate skin tone mixing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grain canvas is recommended.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus