
plate no. 9021
Joseph Ducreux, 1769
Recreating this painting will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering of fabric textures. It also provides practice in creating subtle gradations of light and shadow.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and main lines of the clothing.
Block in the background with a dark, muted blue, paying attention to the subtle variations in tone.
Establish the basic skin tones, focusing on the highlights and shadows on the face and neck.
Begin to refine the facial features, paying close attention to the placement and shape of the eyes, nose, and mouth.
Block in the white jacket and red trim, using a light gray for the jacket and a vibrant red for the trim.
Add details to the clothing, such as the buttons, ruffles, and folds in the fabric.
Refine the hair, using short, broken strokes to create the texture of the wig.
Add final highlights and shadows to the entire painting to create depth and dimension.
color palette
primary · titanium white · ivory black · cadmium red light · yellow ochre
secondary · ultramarine blue · burnt umber
Skin tones can be achieved by mixing titanium white, yellow ochre, cadmium red light, and a touch of burnt umber. The background is created by mixing ultramarine blue with ivory black and a touch of white.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A smooth canvas surface will aid in blending.
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