apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Jean-Baptiste Brequin de Demenge
Jean-Baptiste Brequin de Demenge by Joseph Ducreux

plate no. 9021

Jean-Baptiste Brequin de Demenge

Joseph Ducreux, 1769

oilRococoportraitportraitfigureclothingwighistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering of fabric textures. It also provides practice in creating subtle gradations of light and shadow.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and main lines of the clothing.

  2. step 02

    Block in the background with a dark, muted blue, paying attention to the subtle variations in tone.

  3. step 03

    Establish the basic skin tones, focusing on the highlights and shadows on the face and neck.

  4. step 04

    Begin to refine the facial features, paying close attention to the placement and shape of the eyes, nose, and mouth.

  5. step 05

    Block in the white jacket and red trim, using a light gray for the jacket and a vibrant red for the trim.

  6. step 06

    Add details to the clothing, such as the buttons, ruffles, and folds in the fabric.

  7. step 07

    Refine the hair, using short, broken strokes to create the texture of the wig.

  8. step 08

    Add final highlights and shadows to the entire painting to create depth and dimension.

color palette

primary · titanium white · ivory black · cadmium red light · yellow ochre

secondary · ultramarine blue · burnt umber

Skin tones can be achieved by mixing titanium white, yellow ochre, cadmium red light, and a touch of burnt umber. The background is created by mixing ultramarine blue with ivory black and a touch of white.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Incorrect proportions of the face
  • →Muddy skin tones
  • →Overly harsh blending
  • →Ignoring subtle color variations

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·burnt umber oil paint

Use high-quality oil paints for best results. A smooth canvas surface will aid in blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West