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home·artworks·James Clitherow (1731–1805)
James Clitherow (1731–1805) by George Romney

plate no. 3233

James Clitherow (1731–1805)

George Romney, 1780

oilRococoportraitportraitfigureclothinghistoricalmale
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering fabric folds. It also provides practice in creating a sense of depth and form through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure's basic proportions and pose on the canvas.

  2. step 02

    Block in the background with a mid-tone color, establishing the overall value range.

  3. step 03

    Roughly map out the main areas of the face, hair, and clothing with corresponding local colors.

  4. step 04

    Begin refining the facial features, paying close attention to the subtle shifts in value and color to create form.

  5. step 05

    Develop the details of the clothing, focusing on the highlights and shadows to define the folds and textures.

  6. step 06

    Work on the hair, using short, broken brushstrokes to suggest the texture and volume.

  7. step 07

    Refine the background, adding subtle variations in color and value to create depth.

  8. step 08

    Add final details and highlights to the face, clothing, and background to complete the painting.

color palette

primary · ivory black · titanium white · burnt umber · cadmium red light

secondary · yellow ochre · ultramarine blue

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of umber. The dark coat is a mix of black and umber. The background uses a mix of umber, black, and red.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·scumbling
  • ·value studies

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Over-blending the skin tones, resulting in a flat appearance.
  • →Ignoring the subtle value changes that create form.
  • →Making the background too distracting.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·painting easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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