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home·artworks·James Carrick Moore (1763–1834), Surgeon and Associate of Edward Jenner
James Carrick Moore (1763–1834), Surgeon and Associate of Edward Jenner by John Jackson

plate no. 3586

James Carrick Moore (1763–1834), Surgeon and Associate of Edward Jenner

John Jackson

oilRococoportraitportraitfiguremanclothingbookface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in creating depth and form using subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and book.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main areas of color: skin, hair, clothing, and background.

  4. step 04

    Begin refining the facial features, paying close attention to the highlights and shadows.

  5. step 05

    Develop the details of the clothing, including the collar and any folds or wrinkles.

  6. step 06

    Add details to the hand and book, focusing on the light and shadow to create form.

  7. step 07

    Refine the background, ensuring it complements the figure without distracting from it.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · yellow ochre · burnt sienna

Mix skin tones by combining titanium white, cadmium red light, yellow ochre, and a touch of raw umber. Darken colors with ivory black and raw umber, and lighten with titanium white.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·value studies
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unnatural.
  • →Losing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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