apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Jacob asking Laban for his daughter's hand
Jacob asking Laban for his daughter's hand by Jean-Bernard Restout

plate no. 3656

Jacob asking Laban for his daughter's hand

Jean-Bernard Restout

oilRococoreligious paintingfiguressheeplandscapearchitecturedogtrees
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery painting, and creating atmospheric perspective in a landscape setting. It also offers practice in capturing subtle skin tones and rendering soft light.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and architectural elements, focusing on proportions and placement.

  2. step 02

    Block in the background landscape and sky with thin washes of color.

  3. step 03

    Establish the basic color and value of the figures' clothing and skin tones.

  4. step 04

    Begin adding details to the faces, hands, and drapery folds.

  5. step 05

    Refine the background elements, adding depth and texture to the trees and architecture.

  6. step 06

    Paint the sheep and dog, paying attention to their form and fur texture.

  7. step 07

    Add highlights and shadows to create dimension and form.

  8. step 08

    Make final adjustments to the colors, values, and details to achieve a cohesive and harmonious composition.

color palette

primary · ultramarine blue · yellow ochre · titanium white

secondary · burnt umber · cadmium red light · sap green

Achieve the skin tones by mixing white, yellow ochre, and a touch of red. The blue drapery can be created by mixing ultramarine blue with white and a touch of yellow ochre for highlights. The greens are created by mixing blue and yellow with umber to mute.

techniques

  • ·figure drawing
  • ·drapery painting
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating muddy colors by overmixing.
  • →Ignoring the importance of accurate proportions in the figures.
  • →Failing to establish a clear light source.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·sap green oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West