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home·artworks·Jack be Nimble, Jack be Quick
Jack be Nimble, Jack be Quick by Leonora Carrington

plate no. 3646

Jack be Nimble, Jack be Quick

Leonora Carrington, 1970

oilSurrealismsymbolic paintingfigurescandlesurrealsymbolicfantasyarchitecture
experienced study

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as understanding surrealist composition and symbolism. It also encourages experimentation with texture and subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the central floating figure.

  2. step 02

    Establish the background color with thin washes of browns and grays, building up layers to create depth.

  3. step 03

    Block in the main shapes of the figures with muted tones, paying attention to the light source (the candle).

  4. step 04

    Develop the floating figure, focusing on its unique form and the subtle color variations in its clothing.

  5. step 05

    Add details to the figures, including the facial features and the objects they are holding.

  6. step 06

    Create the glowing effect around the candle using soft blending techniques.

  7. step 07

    Paint the architectural elements in the background, adding the symbolic motifs.

  8. step 08

    Refine the details and add final touches to enhance the overall atmosphere.

color palette

primary · raw umber · titanium white · payne's gray

secondary · burnt sienna · ultramarine blue · yellow ochre

Achieve the muted tones by mixing the primary colors with white and small amounts of secondary colors. Use glazes of thinned paint to create depth and luminosity.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·soft blending
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Not creating enough depth in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·payne's gray oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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