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home·artworks·Interior view of the Abbey of St. Benedict
Interior view of the Abbey of St. Benedict by Diogène Maillart

plate no. 0549

Interior view of the Abbey of St. Benedict

Diogène Maillart

pencil, watercolor, cardboard, paperAcademicismsketch and studyarchitectureinteriorarchescolumnsbuildingchurch
some experience helpful

Recreating this painting will help students develop skills in perspective drawing and rendering architectural details with watercolor washes. It also provides practice in creating depth and atmosphere using limited color palette.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic structure and perspective lines of the interior, focusing on the arches and columns.

  2. step 02

    Establish the horizon line and vanishing points to guide the perspective.

  3. step 03

    Mix a light gray wash using a combination of black, brown, and white watercolor.

  4. step 04

    Apply the light gray wash to the entire painting, creating a base layer of tone.

  5. step 05

    Add darker washes to create shadows and define the forms of the columns and arches.

  6. step 06

    Use a fine brush to add details such as the architectural ornaments and window openings.

  7. step 07

    Strengthen the darkest areas to create contrast and depth.

  8. step 08

    Add final touches and highlights to complete the painting.

color palette

primary · payne's gray · raw umber · titanium white

secondary · burnt sienna

Mix Payne's gray and raw umber for the various shades of gray. Add a touch of burnt sienna for warmer tones in the highlights.

techniques

  • ·linear perspective
  • ·watercolor wash
  • ·dry brush
  • ·atmospheric perspective
  • ·value studies

common pitfalls

  • →Incorrect perspective leading to distorted forms.
  • →Overworking the washes and losing the transparency of the watercolor.
  • →Failing to establish a clear value range.
  • →Ignoring the subtle color variations in the architecture.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (small, medium)
  • ·pencil (HB)
  • ·eraser
  • ·ruler
  • ·palette

optional

  • ·masking fluid
  • ·palette knife
  • ·watercolor pencils

Use a smooth watercolor paper for best results. Experiment with different brush sizes to achieve various effects.

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related guides

watercolor techniques →how to draw →how to learn by studying the masters →
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