apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Innocence
Innocence by Takato Yamamoto

plate no. 1763

Innocence

Takato Yamamoto, 2010

oilUkiyo-eillustrationfigureroseshairornamentfloralhalo
some experience helpful

Recreating this painting will help students develop skills in detailed linework, color layering, and creating a harmonious color palette. It also provides practice in rendering complex organic forms like hair and flowers.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, focusing on the placement of the figure, roses, and background elements.

  2. step 02

    Refine the sketch, adding details to the figure's face, hair, and the intricate ornamental design.

  3. step 03

    Apply a base layer of color to the skin, hair, and roses, using diluted washes of color.

  4. step 04

    Build up the colors in layers, adding shadows and highlights to create depth and dimension.

  5. step 05

    Use fine linework to define the details of the hair, facial features, and ornamental patterns.

  6. step 06

    Add the background pattern, paying attention to the negative space and overall balance.

  7. step 07

    Refine the edges and details, ensuring a clean and polished finish.

  8. step 08

    Add the halo with a light, transparent color.

color palette

primary · burnt orange · ivory · sepia

secondary · grey · rose pink

Achieve the skin tones by mixing ivory with small amounts of burnt orange and rose pink. Create the hair color by layering burnt orange with varying amounts of sepia for shadows and ivory for highlights.

techniques

  • ·color layering
  • ·fine linework
  • ·glazing
  • ·rendering organic forms

common pitfalls

  • →overworking the details
  • →creating muddy colors
  • →losing the overall balance of the composition
  • →inaccurate proportions in the figure

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper
  • ·watercolor paints
  • ·fine liner brush
  • ·round brushes (various sizes)
  • ·pencil
  • ·eraser
  • ·palette

optional

  • ·masking fluid
  • ·color pencils
  • ·ruler

Use high-quality watercolor paper to prevent buckling and allow for multiple layers of paint. A fine liner brush is essential for creating the intricate details.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

14. Temple Gardens in Nippori

14. Temple Gardens in Nippori

Hiroshige

8. Suruga Chō

8. Suruga Chō

Hiroshige

Travels Looking at Mt. Fuji

Travels Looking at Mt. Fuji

Kitagawa Utamaro

The Letter

The Letter

Utagawa Kunisada

Jeu Princier. Mongol

Jeu Princier. Mongol

Paul Jacoulet

Looking as if she is enjoying herself - a teacher of the Keisei era

Looking as if she is enjoying herself - a teacher of the Keisei era

Tsukioka Yoshitoshi

Ariwara no Yukihira

Ariwara no Yukihira

Tsukioka Yoshitoshi

The Ghost

The Ghost

Utagawa Kunisada