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home·artworks·Inferno
Inferno by Sarunas Sauka3

plate no. 5184

Inferno

Sarunas Sauka3, 1992

oilSurrealismreligious paintingfiguressurrealreligiouslandscapecaveboat
advanced study

Recreating this painting would develop skills in complex composition, layering, and rendering a wide range of textures and forms. Students will also learn to manage a complex color palette and create depth through atmospheric perspective.

technical profile

palette complexity
5
brushwork visibility
4
value contrast
4
compositional simplicity
1

study guide

est. 60 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major compositional elements and focal point.

  2. step 02

    Establish the darkest darks and lightest lights to create a value structure.

  3. step 03

    Block in the large shapes with basic colors, focusing on the overall color harmony.

  4. step 04

    Begin layering details, working from background to foreground.

  5. step 05

    Develop the textures and forms using a variety of brushstrokes.

  6. step 06

    Refine the color palette, adding subtle variations and highlights.

  7. step 07

    Pay close attention to edges, softening some and sharpening others to create depth.

  8. step 08

    Add final details and glazes to unify the painting.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · yellow ochre · raw sienna

Achieve the diverse range of colors by mixing the primary colors with each other and with white. Use glazes of diluted color to create depth and luminosity.

techniques

  • ·layering
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the painting and losing the initial freshness.
  • →Getting bogged down in details too early.
  • →Failing to establish a strong value structure.
  • →Inconsistent brushwork.
  • →Muddying the colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (ultramarine blue, burnt umber, titanium white, cadmium red, yellow ochre, raw sienna)
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium gloss

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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