apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·In the Woods
In the Woods by Elizabeth Jane Gardner

plate no. 6672

In the Woods

Elizabeth Jane Gardner

canvas, oilAcademicismgenre paintingfigureschildrentreesfoliageforestlandscape
experienced study

Recreating this painting will help students develop skills in portraiture, particularly rendering realistic skin tones and facial expressions, as well as understanding atmospheric perspective in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Establish the background with broad strokes, paying attention to the depth and atmospheric perspective.

  3. step 03

    Block in the main shapes and values of the figures, using a limited palette.

  4. step 04

    Begin refining the details of the faces, focusing on accurate proportions and subtle value changes.

  5. step 05

    Develop the clothing and hair, paying attention to the folds and textures.

  6. step 06

    Add details to the background foliage, using a variety of greens and browns.

  7. step 07

    Refine the lighting and shadows, creating a sense of depth and dimension.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · ultramarine blue · alizarin crimson · sap green

Mix various shades of green by combining yellow ochre, ultramarine blue, and a touch of ivory black. Achieve skin tones by blending titanium white, yellow ochre, alizarin crimson, and a small amount of raw umber.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions of the figures.
  • →Neglecting the atmospheric perspective in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ivory black, raw umber, titanium white, yellow ochre, ultramarine blue, alizarin crimson, sap green)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted round and flat brushes
  • ·palette
  • ·palette knife
  • ·rags or paper towels

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus