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home·artworks·In the Studio (Lizzy Ansingh)
In the Studio (Lizzy Ansingh) by Thérèse Schwartze

plate no. 7726

In the Studio (Lizzy Ansingh)

Thérèse Schwartze, 1895

oilImpressionismportraitfigureartisteaselchairstudioportrait
some experience helpful

Recreating this painting will help students develop skills in value studies and capturing light and shadow using expressive strokes. It also offers practice in depicting the human form in a relaxed pose.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, easel, and chair.

  2. step 02

    Establish the darkest areas of the composition, focusing on the background and shadows.

  3. step 03

    Gradually build up the mid-tones, paying attention to the direction of light.

  4. step 04

    Define the forms of the figure and objects with darker lines and shading.

  5. step 05

    Add highlights to create a sense of depth and dimension.

  6. step 06

    Refine the details of the face and clothing.

  7. step 07

    Soften edges and blend tones to create a sense of atmosphere.

  8. step 08

    Add final touches and adjust values as needed.

color palette

primary · ivory black · raw umber · titanium white

secondary · yellow ochre

Use white to create lighter values of the browns and blacks. Mix small amounts of yellow ochre to warm up the shadows.

techniques

  • ·hatching
  • ·scumbling
  • ·blending
  • ·value shading
  • ·expressive linework

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Failing to establish a strong value range.
  • →Ignoring the direction of light and shadow.
  • →Getting the proportions of the figure wrong.

materials

surface · drawing paper (toned or white)

required

  • ·charcoal pencils (soft, medium, hard)
  • ·kneaded eraser
  • ·drawing paper (toned or white)
  • ·blending stumps
  • ·fixative spray
  • ·ruler
  • ·pencil sharpener

optional

  • ·chamois cloth
  • ·sandpaper block

Toned paper can help establish mid-tones more easily. Experiment with different charcoal grades to achieve a range of values.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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