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home·artworks·In the Park, Paris
In the Park, Paris by William Merritt Chase

plate no. 2569

In the Park, Paris

William Merritt Chase, 1889

oil, canvasImpressionismgenre paintingparkfigurestreescarriagesskyflowers
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as capturing the impressionistic style through loose brushwork and attention to light.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, trees, and horizon line.

  2. step 02

    Block in the large areas of color: sky, trees, grass, and foreground.

  3. step 03

    Develop the sky with subtle variations in blue and white.

  4. step 04

    Layer different shades of green, yellow, and brown to create the foliage of the trees and the texture of the grass.

  5. step 05

    Paint the figures with simple shapes and colors, paying attention to the fall of light on their forms.

  6. step 06

    Add details to the carriages and other elements in the background.

  7. step 07

    Create the foreground with warm tones and loose brushstrokes, suggesting the texture of the path and fallen leaves.

  8. step 08

    Add final highlights and shadows to enhance the depth and realism of the painting.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium red · sap green · raw sienna

Mix greens by combining yellow ochre and ultramarine blue. Create browns by mixing burnt umber, yellow ochre, and a touch of red. Achieve atmospheric perspective by lightening colors with white as they recede into the distance.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →overworking the details
  • →using too much detail in the background
  • →creating muddy colors
  • →not establishing a clear focal point

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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