apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·In Contemplation
In Contemplation by Raja Ravi Varma

plate no. 3340

In Contemplation

Raja Ravi Varma

oilAcademicismgenre paintingfigurewindowbuildingcurtaininteriorstool
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing skin tones and drapery, as well as understanding atmospheric perspective and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and the placement of the window and stool.

  2. step 02

    Establish the background with a thin wash of color, paying attention to the light and shadow.

  3. step 03

    Block in the main shapes of the figure, using a limited palette of earth tones and white.

  4. step 04

    Develop the skin tones, using subtle variations in color to create a sense of volume and form.

  5. step 05

    Paint the drapery, paying attention to the folds and highlights.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth.

  7. step 07

    Refine the background and add details to the window and building.

  8. step 08

    Add final touches and highlights to the painting.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · alizarin crimson · yellow ochre · ultramarine blue

Mix skin tones by blending burnt umber, raw sienna, and white, adding small amounts of alizarin crimson for warmth and ultramarine blue for cool shadows. Achieve the muted background colors by mixing earth tones with white and small amounts of blue and yellow.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·drapery

common pitfalls

  • →Overworking the skin tones and losing the subtle variations in color.
  • →Failing to create a sense of depth in the background.
  • →Ignoring the importance of light and shadow in creating form.
  • →Getting lost in details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base for the painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus