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home·artworks·Illustration of Horse Racing at Shinobazu in Ueno
Illustration of Horse Racing at Shinobazu in Ueno by Toyohara Chikanobu

plate no. 6683

Illustration of Horse Racing at Shinobazu in Ueno

Toyohara Chikanobu, 1885

oilUkiyo-egenre paintingfigureshorseswaterfireworksbuildingsflags
experienced study

Recreating this painting will help students develop skills in layering colors, creating intricate patterns, and understanding perspective in a complex composition. It also provides practice in depicting figures and animals in motion.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes and composition, paying attention to the perspective of the buildings and the placement of figures.

  2. step 02

    Establish the background colors, starting with the sky and water, using thin washes of color.

  3. step 03

    Block in the larger shapes of the buildings, horses, and figures, using simplified color blocks.

  4. step 04

    Add details to the buildings, including the roof tiles, lanterns, and decorative elements.

  5. step 05

    Refine the figures, adding details to their clothing and facial features.

  6. step 06

    Paint the horses, paying attention to their anatomy and movement.

  7. step 07

    Add the fireworks and other decorative elements in the sky.

  8. step 08

    Add final details and highlights to create depth and dimension.

color palette

primary · indigo · red · ochre · white

secondary · green · brown · gray · yellow

Mix indigo with white for lighter shades of the sky and water. Use red and ochre to create various shades of brown for the horses and buildings. Mix green and yellow for the foliage.

techniques

  • ·flat washes
  • ·layering
  • ·fine line details
  • ·pattern creation
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear sense of perspective.
  • →Using colors that are too saturated or unrealistic.
  • →Losing the overall composition by focusing too much on individual elements.

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paints or gouache
  • ·Round brushes (sizes 0, 2, 4, 6)
  • ·Watercolor paper (140lb)
  • ·Palette
  • ·Water container
  • ·Pencil
  • ·Eraser
  • ·Ruler

optional

  • ·Masking fluid
  • ·Palette knife
  • ·Fine liner pens

Use high-quality watercolor paper to prevent buckling and allow for multiple layers of paint. Gouache can be used as an alternative to watercolor for a more opaque finish.

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