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home·artworks·Ill-Matched Marriage (The Marriage Contract)
Ill-Matched Marriage (The Marriage Contract) by Quentin Matsys

plate no. 9295

Ill-Matched Marriage (The Marriage Contract)

Quentin Matsys, 1530

oil, panelNorthern Renaissancegenre paintingfigurestablecoinswine glassesjewelryclothing
experienced study

Recreating this painting will help students develop skills in portraiture, depicting realistic skin tones and textures, and rendering complex drapery and details. It also provides practice in creating a narrative composition with multiple figures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, paying attention to the placement and proportions of the figures and objects.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main shapes and colors of the figures and clothing, focusing on the overall value structure.

  4. step 04

    Start building up the skin tones, using layers of thin glazes to create depth and realism.

  5. step 05

    Add details to the clothing, jewelry, and other objects, paying attention to the textures and patterns.

  6. step 06

    Refine the facial features and expressions, using subtle variations in color and value to create a sense of character.

  7. step 07

    Add highlights and shadows to create a sense of volume and form.

  8. step 08

    Apply final glazes to unify the painting and enhance the colors.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · yellow ochre · viridian · ultramarine blue · cadmium yellow light

Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber. Darken shadows with burnt umber and a touch of blue. Create the greens by mixing yellow and blue, adjusting the ratio for different shades.

techniques

  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·drapery rendering
  • ·underpainting

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the skin tones and losing the sense of realism.
  • →Failing to create a strong sense of depth and volume.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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