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home·artworks·Ill-matched Lovers
Ill-matched Lovers by Quentin Matsys

plate no. 3257

Ill-matched Lovers

Quentin Matsys, 1525

oilNorthern Renaissancegenre paintingfiguresclothinghandstablecardscoins
experienced study

Recreating this painting will help students develop skills in portraiture, particularly rendering realistic skin tones and facial features, as well as understanding how to depict complex fabric folds and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main color areas: skin tones, clothing (green, red, grey), and table.

  4. step 04

    Begin layering the skin tones, paying close attention to highlights and shadows to create form.

  5. step 05

    Develop the details of the clothing, including the folds, highlights, and decorative elements.

  6. step 06

    Add the details of the hands, cards, and coins on the table.

  7. step 07

    Refine the facial features, focusing on capturing the expressions of the figures.

  8. step 08

    Add final highlights and shadows to enhance the overall depth and realism of the painting.

color palette

primary · ivory black · titanium white · cadmium red · sap green

secondary · yellow ochre · raw umber · ultramarine blue

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of umber. Greens are created by mixing sap green with yellow ochre and a touch of blue for shadows. Red is toned down with umber and black for darker areas.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a strong value structure, leading to a flat painting.
  • →Getting lost in the details too early, before establishing the overall form.
  • →Inaccurate proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·sap green oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·dammar varnish

Use high-quality oil paints for best results. Consider using a medium like linseed oil to improve the flow of the paint and create glazes.

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