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home·artworks·Il Sacrificio Di Polissena
Il Sacrificio Di Polissena by Giambattista Pittoni

plate no. 6309

Il Sacrificio Di Polissena

Giambattista Pittoni, 1734

oilRococoreligious paintingfiguresarchitecturecolumnssacrificecrowdarmor
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating atmospheric perspective. It also provides practice in capturing complex compositions and narratives.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to block in the main figures and architectural elements, paying attention to proportions and placement.

  2. step 02

    Establish the light source and map out the areas of light and shadow with thin washes of color.

  3. step 03

    Begin layering in the local colors of the figures, focusing on the drapery and skin tones.

  4. step 04

    Develop the architectural details, using a limited palette to create a sense of depth and distance.

  5. step 05

    Refine the figures, adding details to the faces, hands, and clothing.

  6. step 06

    Pay attention to the textures of the different materials, such as the armor, fabric, and stone.

  7. step 07

    Add highlights and shadows to create a sense of volume and form.

  8. step 08

    Glaze the painting to unify the colors and create a sense of atmosphere.

color palette

primary · titanium white · raw umber · cadmium red light · ultramarine blue

secondary · yellow ochre · viridian · ivory black · burnt sienna

Achieve the pale skin tones by mixing titanium white with small amounts of cadmium red light, yellow ochre, and raw umber. Create the various fabric colors by mixing the primary colors with white and raw umber to desaturate them.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·glazing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the figures wrong
  • →Overworking the details
  • →Failing to create a sense of depth
  • →Using colors that are too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color harmony.

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