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home·artworks·I Saw Three Cities
I Saw Three Cities by Kay Sage

plate no. 7430

I Saw Three Cities

Kay Sage, 1944

oilSurrealismlandscapelandscapearchitecturegeometric shapesdraperysurrealsky
some experience helpful

Recreating this painting will help students develop skills in rendering smooth gradients, understanding light and shadow on complex forms, and creating a sense of depth through atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the architectural elements and the twisted fabric form.

  2. step 02

    Block in the large areas of color for the sky, ground, and architectural structures.

  3. step 03

    Begin to define the light and shadow on the architectural forms, paying attention to the angles and planes.

  4. step 04

    Start building up the form of the twisted fabric, using layers of light and dark to create the illusion of folds and depth.

  5. step 05

    Refine the details of the fabric, adding highlights and shadows to accentuate the texture.

  6. step 06

    Add the small orange details within the fabric.

  7. step 07

    Blend the colors in the sky to create a smooth gradient.

  8. step 08

    Add final details and adjust values as needed to create a cohesive and balanced composition.

color palette

primary · titanium white · raw umber · viridian green

secondary · cadmium orange · ivory black

Mix various shades of green and brown by combining raw umber, viridian green, and titanium white. Use ivory black to darken the greens and browns. Use cadmium orange sparingly for the small details.

techniques

  • ·smooth blending
  • ·atmospheric perspective
  • ·value shading
  • ·form rendering
  • ·layering

common pitfalls

  • →overblending and losing form
  • →inaccurate proportions in the architectural elements
  • →uneven color gradients in the sky
  • →lack of contrast in the fabric folds

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·viridian green oil paint
  • ·cadmium orange oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. Consider using a medium to improve blending and drying time.

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oil painting for beginners →how to learn by studying the masters →
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