
plate no. 4187
John Martin, 1815
Recreating this painting will help students develop skills in atmospheric perspective and creating depth through layering. It also provides practice in rendering foliage and subtle color variations in natural light.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the trees and the horizon line.
Establish the sky with a thin wash of grey and blue, blending the clouds.
Block in the large masses of the trees with darker browns and greens.
Add layers of foliage, varying the colors and values to create depth.
Paint the distant trees and landscape with lighter, muted colors to create atmospheric perspective.
Add the figures in the foreground, paying attention to their relative size and placement.
Refine the details of the trees, adding branches and highlights.
Glaze the painting with thin layers of color to unify the composition.
color palette
primary · raw umber · titanium white · Prussian blue
secondary · yellow ochre · burnt sienna · sap green
Mix various shades of brown and green by combining raw umber, yellow ochre, and Prussian blue. Use white to lighten the colors and create highlights. Achieve atmospheric perspective by adding more white and blue to the colors of distant objects.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Thin the oil paints with linseed oil or turpentine for smoother application.
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