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home·artworks·Hunting in the forest of Fontainebleau near Franc
Hunting in the forest of Fontainebleau near Franc by Jean-Baptiste Oudry

plate no. 6446

Hunting in the forest of Fontainebleau near Franc

Jean-Baptiste Oudry

oil, canvasRococogenre paintinglandscapefigureshorsesdogstreesrocks
experienced study

Recreating this painting will help students develop skills in depicting complex scenes with multiple figures and animals, as well as understanding atmospheric perspective and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to establish the overall composition and placement of major elements.

  2. step 02

    Block in the background landscape, focusing on the large rock formations and trees.

  3. step 03

    Establish the basic colors and values for the sky and distant foliage.

  4. step 04

    Begin adding details to the figures and horses in the foreground, paying attention to their anatomy and poses.

  5. step 05

    Paint the dogs, focusing on their movement and interaction with the landscape.

  6. step 06

    Refine the details of the clothing and facial features of the figures.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Apply final glazes to unify the colors and create a sense of atmosphere.

color palette

primary · ultramarine blue · raw umber · titanium white · cadmium red

secondary · yellow ochre · burnt sienna · ivory black

Achieve the muted greens by mixing ultramarine blue, yellow ochre, and a touch of raw umber. Create the flesh tones by blending cadmium red, titanium white, and a small amount of yellow ochre.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·animal anatomy

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a clear focal point.
  • →Inaccurate proportions of figures and animals.
  • →Overworking the colors and losing the freshness of the brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·painting medium
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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