apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Hunting at the Saint-Jean Pond in the Forest of Compiegne
Hunting at the Saint-Jean Pond in the Forest of Compiegne by Jean-Baptiste Oudry

plate no. 8175

Hunting at the Saint-Jean Pond in the Forest of Compiegne

Jean-Baptiste Oudry

oil, canvasRococogenre paintinglandscapefigureshorsesdogswatertrees
advanced study

Recreating this painting will help students develop skills in rendering complex scenes with many figures and animals, as well as understanding atmospheric perspective and color harmony in a landscape setting. It also provides practice in depicting realistic textures and details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to establish the overall composition and placement of major elements.

  2. step 02

    Block in the background landscape with broad strokes, focusing on atmospheric perspective.

  3. step 03

    Establish the main figures and horses in the foreground, paying attention to their proportions and poses.

  4. step 04

    Add details to the figures, including clothing, faces, and accessories.

  5. step 05

    Paint the dogs and other animals, capturing their movement and energy.

  6. step 06

    Refine the water and reflections, using subtle color variations.

  7. step 07

    Add final details to the trees and foliage, creating depth and texture.

  8. step 08

    Glaze with thin layers to unify the colors and create a sense of atmosphere.

color palette

primary · yellow ochre · burnt umber · ultramarine blue · titanium white

secondary · cadmium red · viridian green · ivory black

Achieve the muted greens by mixing yellow ochre, ultramarine blue, and a touch of burnt umber. Create the flesh tones by blending titanium white, cadmium red, and yellow ochre. Use glazes of burnt umber to create shadows and depth.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering fur
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear focal point.
  • →Using colors that are too saturated.
  • →Ignoring the principles of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints (yellow ochre, burnt umber, ultramarine blue, titanium white, cadmium red, viridian green, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·damar varnish
  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West