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home·artworks·Hunters in the Snow (after Pieter Bruegel the Elder)
Hunters in the Snow (after Pieter Bruegel the Elder) by Pieter Brueghel the Younger

plate no. 0215

Hunters in the Snow (after Pieter Bruegel the Elder)

Pieter Brueghel the Younger

oilNorthern Renaissancegenre paintingwinter landscapefigurestreessnowvillageice skating
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, rendering complex textures like snow and tree bark, and creating a sense of depth through layering and detail.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major compositional elements: the trees, buildings, figures, and distant landscape.

  2. step 02

    Establish the sky and distant mountains using thin washes of diluted paint, focusing on subtle color variations to create atmospheric perspective.

  3. step 03

    Block in the larger shapes of the trees with dark browns and blacks, paying attention to the branching patterns.

  4. step 04

    Add the snow-covered ground, varying the tones of white and gray to create depth and form.

  5. step 05

    Paint the buildings and other architectural elements, focusing on accurate perspective and detail.

  6. step 06

    Add the figures and animals, using small brushstrokes to suggest movement and activity.

  7. step 07

    Refine the details of the trees, adding texture and highlights to the bark.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of depth and realism.

color palette

primary · raw umber · titanium white · Prussian blue

secondary · burnt sienna · yellow ochre · cadmium red

Mix various shades of gray by combining white with small amounts of black, blue, and brown. Use thin washes of blue and white to create the hazy atmosphere of the distant landscape. Mix browns with blues and reds to create the dark tones of the trees.

techniques

  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong sense of atmospheric perspective.
  • →Creating flat, lifeless snow by using only pure white.
  • →Ignoring the subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·Prussian blue oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a high-quality canvas and artist-grade oil paints for best results. Thin the oil paints with linseed oil to create smooth washes and glazes.

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