apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Houses at La Hulpe
Houses at La Hulpe by Georges Lemmen

plate no. 2114

Houses at La Hulpe

Georges Lemmen

oilPointillismlandscapebuildingstreeslandscapeskyhousesfield
some experience helpful

Recreating this painting will help students develop their understanding of pointillism and color mixing to create subtle variations in tone and texture. It also provides practice in building up a composition with small, deliberate brushstrokes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, trees, and horizon line.

  2. step 02

    Establish the overall color scheme by applying thin washes of color to the sky, field, and buildings.

  3. step 03

    Begin applying small, individual dots of color to build up the texture and form of the sky, starting with lighter tones.

  4. step 04

    Continue adding dots of color to the field, varying the greens, browns, and yellows to create depth and interest.

  5. step 05

    Use a similar technique to build up the forms of the buildings, focusing on the interplay of light and shadow.

  6. step 06

    Add details to the trees, using darker colors to define the branches and foliage.

  7. step 07

    Refine the composition by adding highlights and shadows to create a sense of depth and dimension.

  8. step 08

    Allow to dry and add a final layer of dots to unify the overall composition.

color palette

primary · cerulean blue · yellow ochre · burnt umber · titanium white

secondary · cadmium red · sap green · ultramarine blue

Achieve the sky color by mixing cerulean blue with white and a touch of yellow ochre. Create the greens for the field by mixing yellow ochre, sap green, and burnt umber.

techniques

  • ·pointillism
  • ·color mixing
  • ·layering
  • ·scumbling
  • ·optical mixing

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Applying dots too uniformly, creating a flat, lifeless texture.
  • →Neglecting the importance of value contrast.
  • →Losing sight of the overall composition while focusing on individual details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic paints
  • ·small round brushes (sizes 0-3)
  • ·palette
  • ·palette knife
  • ·water container
  • ·paper towels
  • ·easel

optional

  • ·medium gloss
  • ·retarder medium
  • ·color wheel

Use high-quality acrylic paints for best results. Experiment with different brush sizes to create varying textures.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

Ponte San Trovaso

Ponte San Trovaso

Henri-Edmond Cross

Sunday

Sunday

Paul Signac

Couple in the street

Couple in the street

Charles Angrand

Margery

Margery

Theo van Rysselberghe

Still Life with Pitcher and Vase of Flowers

Still Life with Pitcher and Vase of Flowers

Hippolyte Petitjean

The Two Sisters

The Two Sisters

Georges Lemmen

Les Petits, Montagnes Mauresques

Les Petits, Montagnes Mauresques

Henri-Edmond Cross