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House by Jean David

plate no. 3603

House

Jean David

oilCubismcityscapebuildingscityscapetableclothabstract facesarchitecturelandscape
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes into geometric shapes and using a limited color palette to create a cohesive composition. It also encourages experimentation with texture and brushwork to add visual interest.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic geometric shapes of the buildings and landscape, focusing on their relative sizes and positions.

  2. step 02

    Establish the horizon line and the placement of the tablecloth.

  3. step 03

    Block in the main color areas for the buildings, sky, and landscape using diluted washes.

  4. step 04

    Add layers of color to build up depth and create variations in tone within each shape.

  5. step 05

    Use dry brush techniques to add texture to the buildings and landscape elements.

  6. step 06

    Paint the tablecloth using thin layers of white, creating subtle shadows and highlights.

  7. step 07

    Add the abstract faces and other details with a fine brush.

  8. step 08

    Refine the edges of the shapes and adjust the overall composition as needed.

color palette

primary · burnt sienna · raw umber · titanium white

secondary · sap green · yellow ochre · cadmium red light

Mix burnt sienna and raw umber with white to create various shades of brown and beige. Use yellow ochre to warm up the browns and add highlights. Mix sap green with raw umber for muted greens.

techniques

  • ·dry brush
  • ·layering
  • ·geometric abstraction
  • ·limited palette
  • ·scumbling

common pitfalls

  • →Overcomplicating the shapes and details.
  • →Using too many colors and losing the cohesive feel.
  • →Making the tablecloth too opaque and losing the sense of transparency.
  • →Not varying the brushstrokes enough, resulting in a flat appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic paints (burnt sienna, raw umber, titanium white, sap green, yellow ochre, cadmium red light)
  • ·assorted flat brushes
  • ·palette
  • ·water container
  • ·paper towels
  • ·pencil
  • ·kneaded eraser

optional

  • ·palette knife
  • ·retarder medium
  • ·varnish

Use a medium-textured canvas to enhance the dry brush effect. Acrylics are recommended for their fast drying time, but oils can also be used.

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oil painting for beginners →how to learn by studying the masters →
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