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home·artworks·Horse and Train
Horse and Train by Alex Colville

plate no. 6425

Horse and Train

Alex Colville, 1954

tempera, boardMagic Realismsymbolic paintinghorsetrainrailroadlandscapeskysymbolism
some experience helpful

Recreating this painting will help students develop skills in linear perspective, creating atmospheric perspective, and rendering realistic textures with subtle color variations. It also provides an opportunity to explore symbolic representation in art.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic composition: horizon line, train tracks, horse, and train.

  2. step 02

    Establish the linear perspective of the train tracks, ensuring they converge towards the horizon.

  3. step 03

    Block in the main color areas: sky, field, horse, train, and railroad tracks.

  4. step 04

    Develop the atmospheric perspective by making distant elements lighter and less saturated.

  5. step 05

    Add details to the horse, paying attention to its anatomy and the way light interacts with its form.

  6. step 06

    Refine the details of the train, including the headlight and the smoke.

  7. step 07

    Add texture to the ground and the horse using dry brush techniques.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and balanced composition.

color palette

primary · ivory black · raw umber · titanium white

secondary · yellow ochre · payne's gray

Use white to create tints of the primary colors for the sky and distant landscape. Mix black and umber for the horse, varying the proportions to create subtle value changes.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·dry brush
  • ·glazing
  • ·value studies

common pitfalls

  • →Incorrect perspective of the train tracks.
  • →Overly saturated colors.
  • →Lack of subtle value changes in the horse's form.
  • →Ignoring atmospheric perspective, making distant elements too sharp and defined.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·acrylic gesso
  • ·ivory black acrylic paint
  • ·raw umber acrylic paint
  • ·titanium white acrylic paint
  • ·yellow ochre acrylic paint
  • ·payne's gray acrylic paint
  • ·#2 round brush
  • ·#4 flat brush
  • ·#6 filbert brush

optional

  • ·palette knife
  • ·retarder medium
  • ·matte varnish

Using a smooth canvas will help achieve the subtle blending and detail required for this painting. Acrylics are a good substitute for tempera.

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