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home·artworks·Hl. Maria Magdalena (Margarethe Von Österreich)
Hl. Maria Magdalena (Margarethe Von Österreich) by Bernard Van Orley

plate no. 2714

Hl. Maria Magdalena (Margarethe Von Österreich)

Bernard Van Orley

oilNorthern Renaissanceportraitportraitfigurelandscapemountainsjewelryheaddress
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and subtle gradations of light and shadow. It also provides practice in depicting textures like fabric and metal.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and objects.

  2. step 02

    Block in the background with thin washes of color, establishing the atmospheric perspective.

  3. step 03

    Establish the main skin tones on the face and hands, paying attention to the subtle shifts in value.

  4. step 04

    Develop the details of the headdress and jewelry, using small brushes for precision.

  5. step 05

    Paint the clothing, focusing on the folds and drapery.

  6. step 06

    Render the metal objects, capturing their reflective qualities.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and realism.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · titanium white · yellow ochre · burnt umber · ivory black

secondary · cadmium red · ultramarine blue · raw sienna

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Create the atmospheric perspective in the background by diluting blues and greens with white.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·rendering metal

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Creating muddy colors by over-mixing.
  • →Failing to capture the subtle shifts in value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

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