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home·artworks·His New Hat
His New Hat by Eugene de Blaas

plate no. 0956

His New Hat

Eugene de Blaas

oilAcademicismportraitportraitboyhatclothingfigure
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle skin tones and rendering realistic fabric textures. It also provides practice in creating soft, diffused lighting effects.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the boy's head, hat, and shoulders onto the canvas.

  2. step 02

    Establish the background color with a thin wash of muted gray-blue.

  3. step 03

    Block in the main areas of color for the skin, hat, and clothing, focusing on the overall values.

  4. step 04

    Begin layering and blending colors to create smooth transitions in the skin tones, paying attention to highlights and shadows.

  5. step 05

    Refine the details of the facial features, such as the eyes, nose, and mouth, using small brushes and precise strokes.

  6. step 06

    Add details to the hat and clothing, capturing the textures and folds of the fabric.

  7. step 07

    Adjust the overall values and colors to create a sense of depth and realism.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · raw umber · ultramarine blue · cadmium red

secondary · yellow ochre · burnt sienna

Achieve skin tones by mixing white, red, umber, and a touch of blue. Mix the hat color with umber, white, and a hint of yellow ochre. The shirt is a mix of blue, white, and a touch of umber.

techniques

  • ·glazing
  • ·blending
  • ·scumbling
  • ·portraiture
  • ·color mixing

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle variations in color and value.
  • →Getting the proportions of the facial features wrong.
  • →Ignoring the importance of soft, diffused lighting.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use high-quality oil paints for best results. Pre-toned canvas can help establish mid-tones.

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oil painting for beginners →how to learn by studying the masters →
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